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jilicc 1 Do Sarah Michelle Gellar and Jennifer Love Hewitt have beef? Cruel Intentions star Gellar set tongues wagging this week when she spoke at the Dexter: Original Sin premiere about the upcoming I Know What You Did Last Summer reboot. While the actress, 47, was excited to talk about the project’s “incredible cast” and “fun script,” the interview took an awkward turn when the Extra reporter asked about Hewitt. “I know Jennifer Love Hewitt said that she’s possibly returning,” the journalist said. “You can’t tell [us]?” Gellar silently shrugged before stepping back and saying she has “nothing to do with that.” Social media users had a heyday with the red carpet clip, with many believing the Buffy the Vampire Slayer star was “definitely throwing shade” at the 45-year-old. Sarah Michelle Gellar on the red carpet. “Look at that face! She hates her so bad,” one person speculated via X, while another wrote, “This seems so shady LOL.” A third joked, “I thought she was an actress? Girl ... act.” Gellar and Hewitt’s reps have yet to respond to Page Six’s requests for comment. The previous day, Hewitt appeared on the I’ve Never Said This Before With Tommy DiDario podcast and spoke about Gellar. Hewitt brought up the alleged “fighting” on her own, saying, “I root for her and [husband] Freddie [Prinze Jr.] and think it’s the cutest thing in the world that they’ve been married for 100 years and have kids. “It’s adorable,” she continued. “So it’s been really funny to see all this [negative] stuff that people think.” Hewitt and Gellar co-starred in I Know What You Did Last Summer in 1997, playing Julie James and Helen Shivers, respectively. They appeared together in 1997’s I Know What You Did Last Summer. Love Hewitt was full of praise for SGM in another interview this week. Picture: Getty News broke that a reboot was in the works when Gellar posted an Instagram photo from the set in November, which she admittedly got “in a little bit of trouble” for. In a recent interview with Page Six, Hewitt told us she was interested in being part of the project and confirmed they were “in talks,” but it was a matter of making the shooting schedule work. “Fingers crossed right now,” she said, adding, “I do want it to happen. It was a fun it was a fun thing for me. And I feel like at, you know, 45, it would be really cool to go back to something. I started when I was 18, which is crazy to think about, but I think it would be fun.” She confirmed the reprised role in a Friday Instagram post, with Gellar sharing the announcement to her Story. This story originally appeared on Page Six and is republished here with permission. More Coverage Yellowstone star’s savage Costner comments Janelle Ash – Fox News Star of huge Netflix hit now unrecognisable Tilly Pearce – The Sun Originally published as Sarah Michelle Gellar sparks feud rumours with very awkward red carpet encounter Celebrity Life Don't miss out on the headlines from Celebrity Life. Followed categories will be added to My News. Join the conversation Add your comment to this story To join the conversation, please log in. Don't have an account? Register Join the conversation, you are commenting as Logout More related stories Entertainment US actress unrecognisable in shocking photos One of the stars of the massive Netflix hit Orange is the New Black has been spotted this week looking virtually unrecognisable. Read more Royals New Andrew scandal engulfs royal family A friend of the Duke of York has been outed as an alleged spy – and the blowback from the crisis could have brutal consequences. Read more

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US President-elect Donald Trump announced Wednesday that he was nominating staunch loyalist and retired general Keith Kellogg as his Ukraine envoy, charged with ending the two-and-a-half-year Russian invasion. Trump campaigned on a platform of ushering a swift end to the Ukraine war, boasting that he would quickly mediate a ceasefire deal between President Volodymyr Zelensky and Russian leader Vladimir Putin. But his critics have warned that the incoming Republican will likely leverage US military aid to pressure Kyiv into an agreement that left it ceding occupied territory permanently or agreeing not to join NATO. "I am very pleased to nominate General Keith Kellogg to serve as Assistant to the President and Special Envoy for Ukraine and Russia," Trump said in a statement on social media. "Keith has led a distinguished Military and Business career, including serving in highly sensitive National Security roles in my first Administration." A fixture on the cable news circuit, the 80-year-old national security veteran co-wrote an academic paper earlier this year calling for Washington to leverage military aid as a means of pushing for peace talks. Ukraine has received almost $60 billion from Washington for its armed forces since Russia launched a full-scale invasion in February 2022, but with the more isolationist Trump taking over the White House, supporters fear the spigot will run dry. "The United States would continue to arm Ukraine and strengthen its defenses to ensure Russia will make no further advances and will not attack again after a cease-fire or peace agreement," Kellogg's research paper for the Trumpist America First Policy Institute think tank said. "Future American military aid, however, will require Ukraine to participate in peace talks with Russia." Kellogg served in several positions during Trump's first term, including as chief of staff on the White House national security council and national security advisor to then-vice president Mike Pence. Kellogg told Voice of America at the Republican convention in July that Ukraine's options were "quite clear." "If Ukraine doesn't want to negotiate, fine, but then accept the fact that you can have enormous losses in your cities and accept the fact that you will have your children killed, accept the fact that you don't have 130,000 dead, you will have 230,000–250,000," he said. Trump's announcement came as the outgoing administration of Democrat Joe Biden was hosting a news conference to urge Ukraine to enlist more recruits by reducing the minimum age of conscription to 18. Facing a much larger enemy with more advanced weapons and with stocks of volunteers dwindling, Ukraine is facing an "existential" recruitment crunch, a senior administration official told reporters. "The simple truth is that Ukraine is not currently mobilizing or training enough soldiers to replace their battlefield losses while keeping pace with Russia's growing military," said the official, speaking on the condition of anonymity. He was pressed on what Washington considers an appropriate minimum age and he replied that "we think there's real value in them considering lowering the recruiting age to 18" -- in line with the US benchmark. He added that an additional 160,000 troops would be "on the low end" to fill out Ukraine's ranks -- but "a good start." The former Soviet republic's population has fallen by more than a quarter since its mid-1990s peak of 52 million, and authorities are desperate to shield the younger generation -- but a US congressional report in June estimated the average Ukrainian soldier is 40. Zelensky signed a decree in April lowering the draft age from 27 to 25 but the move did not alleviate the chronic troop shortages, according to US officials. ft/bjt Get any of our free email newsletters — news headlines, sports, arts & entertainment, state legislature, CFD news, and more.Kiran Rao, a celebrated filmmaker in Hindi cinema, has a reputation for crafting narratives that are as introspective as they are impactful. Her second film as a director, Laapataa Ladies ( Lost Ladies ), India’s official entry for the 97th Academy Awards in the Best International Feature Film category, explores female identity and liberation in rural India. During our interview , we delved into themes far beyond the film itself, discussing feminism, individuality, societal expectations, and even the role of technology and artificial intelligence in shaping identity and storytelling. Rao’s warmth and intellectual rigor were evident throughout the interview, as she repeatedly praised the thoughtfulness, depth, and originality of the questions I posed—a gesture that underscored her openness to meaningful dialog. It also reflects her humility and groundedness - which have shaped the film's simple yet impactful narrative. The Metaphor of Being Lost One of the core themes of Laapataa Ladies is encapsulated in its title, which translates to "Lost Ladies." During the interview, I explored this metaphor, asking how the concept of being "lost" reflects an existential search for identity within a patriarchal society. Kiran agreed that the term “Laapataa” was meant to convey much more than the literal disappearance of the film’s characters. “So the search for their own identity is, honestly, for most women, a luxury,” she shared. “You know, you don't have the opportunity or the time to be able to do that. So it is something that is left unfulfilled, which we feel that every girl, given a chance, would love to do—would want to explore what she's capable of and to find her own happiness.” Subtlety as a Narrative Tool Following up, I expressed my admiration for the film’s subtle portrayal of feminism, contrasting it with the more overt depictions common in other films. “I liked the subtlety here,” I noted. “It’s not over-the-top or in-your-face.” Kiran explained that subtlety is central to her filmmaking style. “Audiences don’t need spoon-feeding,” she said. “Subtlety is often much more effective in conveying what we want to convey, rather than bashing someone on the head with something very overt or obvious.” Humor as Liberation In one of the more philosophical moments of our conversation, I asked, "Philosophically speaking, is laughter in this film also like a form of liberation? Does laughter create moments where the characters and even the audience can transcend through their inner immediate struggles?" Kiran responded enthusiastically: “Yes, absolutely - that's a great way to put it! It’s liberating to be able to laugh at things you have so long considered a problem. It’s empowering.” She explained that humor in Lost Ladies acts as a uniting and disarming force, breaking down patriarchal expectations and societal constraints. A Dialog That Redefines Independence I asked Kiran about a scene where the character Manju Mai delivers a powerful dialog: “Women can farm, women can cook, women can give birth to children and raise them. Why do we need men?” I shared how this moment resonated with modern women like me, especially in its exploration of the fear of being alone and the confidence it imparts. “What are we so afraid of?” I asked. “What is so frightening about being alone?” Kiran credited the scene’s brilliance to her screenwriter Sneha Desai. “That amazing dialog is by Sneha,” she said. “She has an incredible way of encapsulating very big ideas into simple and beautiful dialog. My contribution was ensuring we had a character like Manju Mai in the story, which wasn’t there in the earlier draft.” This scene encapsulates the film’s core message: women’s independence is not just possible but empowering as well. Balancing Tradition and Agency I noted the unique portrayal of the character Phool, who embraces traditional roles while finding her own agency, and asked Kiran how she achieved this balance. I further asked, "Many philosophers debate whether freedom is found in love or hate. Do women in Lost Ladies find liberation in their temporary estrangement altogether, or is the journey about reconciling individuality with societal structures?" “Beautiful question! Everybody wants to run away at some point. But we are packed creatures. We belong in herds. We wanted to portray a girl who wants to be a homemaker and be part of a family but also finds the space to have her own personal identity,” she said. Phool represents the possibility of maintaining individuality while thriving within familial structures—a nuanced perspective on feminism as a celebration of choice. Liberation in Mistakes We also discussed the film’s portrayal of rebellion as a journey sparked by mistakes. Kiran emphasized that rebellion doesn’t always have to be loud or destructive; it can start with curiosity, with the courage to take a single step outside the prescribed path. It is more about encouragement than rebellion. “It’s not about smashing patriarchy outright,” she noted, “but about taking that first step, which can lead you in a radically new direction.” This subtle yet revolutionary approach reflects the film’s core message: change begins with the smallest of actions, and these quiet acts of defiance can ripple outward to create a more liberated future. The Role of AI in Storytelling Taking a technological turn in our discussion, I asked Kiran, "There are some artificial intelligence tools coming up that can create an entire film and make it look sort of lifelike. Do you think we will need human actors in 10 years?" Kiran reflected on the impact of AI in filmmaking but emphasized the irreplaceable essence of human actors. "AI does, in many ways, draw from human nature and expressiveness, which can be used to replicate actors," she said. However, she was clear that AI lacks the intangible "soul" that actors bring to their performances. "I don’t think they’re going to replace actors for a very, very long time," she affirmed. Technology and Feminist Storytelling I posed a speculative question: "How would technology, like social media, have changed the journey of the characters Phool and Jaya? Could it have connected them to modern feminism in new ways?" Kiran called this an “interesting” thought experiment, reflecting on how technology has fundamentally altered how we perceive identity and relationships. “Access to technology gives women a new lens to question how they live and what they want,” she said. However, she chose to set Lost Ladies in a simpler time, focusing on interpersonal dynamics unmediated by modern gadgets. We mused about how Instagram might have transformed the characters’ lives, imagining their identities evolving in entirely new directions. Lessons for Women When asked about the takeaways she hopes women gain from the film, Kiran’s response was heartfelt: “Be kind to yourself. Give yourself a break. Give yourself a lot of love.” She stressed the importance of self-care, a theme that resonates deeply in a world where women are often expected to prioritize everyone else. Final Thoughts As our conversation drew to a close, Kiran expressed her gratitude for the thoughtful and philosophical nature of the questions. "I wasn’t expecting such beautiful questions," she said, a compliment I cherish as much as her film’s subtle yet powerful portrayal of feminism. Lost Ladies is not just a story—it’s a statement. Through humor, sisterhood, quiet rebellion, and the irreplaceable magic of human actors, Kiran Rao has crafted a narrative that resonates with women across the globe. It is a call to reclaim identity, celebrate individuality, and, above all, be kind to oneself. As India’s Oscar entry, the film carries a message that is both deeply personal and universally profound.

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MEDIROM Healthcare Technology‘s Subsidiary, MEDIROM MOTHER Labs, Raises an Aggregate Total of ...Female Indiana school bus driver, 38, is arrested for ridiculous actExternal Affairs Minister S Jaishankar is set to go on a three-day official visit to the State of Qatar from December 30, the Ministry of External Affairs stated on Sunday. In an official statement, the MEA stated that during his visit, EAM would meet with Qatari Prime Minister and Foreign Minister Sheikh Mohammed bin Abdulrahman bin Jassim Al Thani. The visit also aims to review various aspects of bilateral relations between India and Qatar with discussion on key areas, which include political, trade, investment, energy, security, cultural, and people-to-people relations. "EAM's visit will enable both sides to review various aspects of bilateral relations, including political, trade, investment, energy, security, cultural, and people-to-people, as well as the regional and international issues of mutual interest," the MEA stated. READ MORE: IMD Issues Alert For Extreme Chill, Dense Fog On New Year; North India Continues To Reel Under Severe Cold Wave | Forecast Jaishankar will depart from Qatar on January 1. India and Qatar share warm and friendly relations, marked by regular high-level interactions to further strengthen their partnership. Their most recent interaction occurred during Jaishankar's official tour to Qatar and Bahrain from December 6 to 9. During the visit, he met Qatar's Minister of Commerce and Industry, Faisal bin Thani Al Thani, and Minister of State, Ahmed Al Sayed, on the sidelines of the Doha Forum. In late October, the two countries held the fifth round of Foreign Office Consultations. Both sides comprehensively reviewed the entire spectrum of India-Qatar bilateral relations, including high-level exchanges, trade, investment, energy, education, culture, and people-to-people ties. Discussions also explored avenues to deepen the relationship in areas such as renewable energy, fintech, start-ups, and technology. They exchanged perspectives on important regional and global issues of mutual interest, as noted by the Ministry of External Affairs (MEA) in a press release. READ MORE: Pune Metro Update: Expansion With Seven New Routes In Phase 2 | Check Stations Here Earlier, on September 9, Jaishankar met Qatar's Prime Minister Mohammed bin Abdulrahman Al Thani in Saudi Arabia to discuss advancing bilateral ties. According to the MEA, cooperation between India and Qatar has been steadily growing within an excellent framework provided by their historically close ties and regular, substantive engagement at the highest levels of government. The large, diverse, and accomplished Indian community in Qatar significantly contributes to the country's progress while nurturing the bonds of deep-rooted friendship and multifaceted cooperation between the two nations. (Note: Except for the headline, this article has not been edited by Jagran English and has been published through a syndicated feed.)

A look at how some of Trump's picks to lead health agencies could help carry out Kennedy's overhaul