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Washington Carnegie Public Library is among over 100 public libraries nationwide awarded funding by the Public Library Association (PLA) to increase digital literacy using Digitallearn.org resources, powered by a generous $2.7 million contribution from AT&T. The PLA Digital Literacy Workshop Incentive and the new PLA Digital Navigator Workshop Incentive support public libraries in their work of improving basic digital skills among families and communities. The workshops will utilize DigitalLearn training materials, created in collaboration with AT&T, that are freely available to anyone through DigitalLearn.org and AT&T ScreenReady. Washington Carnegie Public Library’s efforts will focus on addressing the digital divide in our community by offering targeted digital literacy workshops to empower patrons with essential skills. With a 16% poverty rate in Washington and many residents facing language barriers or limited access to technology, these workshops will provide vital training on topics such as Internet Basics, Email Basics, and using both Android and iOS mobile devices. Thanks to the grant funding, WCPL will offer these workshops in English, Spanish, and Haitian Creole, ensuring that all residents can fully participate. “Our community depends on the library not just for access to technology, but for the skills to use it effectively,” said Teresa Heidenreich, director of Washington Carnegie Public Library. “This grant allows us to expand our existing offerings and these new workshops will help individuals and families gain even confidence in navigating online tools, opening doors to education, employment, and essential services.” PLA President Michael Lambert said, “PLA is proud to support public libraries in being at the forefront of boosting digital literacy skills and bridging the digital divide in their communities. With another year of PLA’s sustained collaboration with AT&T, more learners across the nation than ever before will get connected to vital digital literacy skills and technology resources at the library.” PLA’s free training site, Digitallearn.org , helps community members build skills and confidence using technology. Washington Carnegie Public Library will help patrons utilize these resources in an upcoming workshops that will be conducted in person at the library and possibly other remote location from January-May 2025. Days and times will vary. More details contact the library 812-254-4586, email info@washingtonpubliclibrary.org or visit the library’s calendar www.washingtonpubliclibrary.org About Washington Carnegie Public Library The Washington Carnegie Public Library has been a vital community resource since 1902, providing access to information and fostering a love of learning. Their mission is to inspire lifelong learning, strengthen community connections, and bridge gaps in education and technology. Continually enhancing services to meet these goals, WCPL is a hub for knowledge and empowerment, offering a safe space for learning, discussion, and exploration.The creative economy in the Sultanate is bursting with potential. From podcasts and theatre festivals to comedy shows, a growing wave of talented Bruneians is stepping into the spotlight, sharing their stories and showcasing their craft like never before. The post-COVID surge in social media has unlocked new platforms for expression, attracting a diverse range of creators. Many of these individuals weave the Sultanate’s unique tales and heritage into their work, resonating with audiences both locally and globally. As the creative scene continues to thrive, the need for clear standards becomes increasingly evident. Establishing these benchmarks is crucial to building a unified creative economy while preserving Brunei’s cultural identity and adapting it to today’s globalised world. Part of this effort, according to CEO and co-founder of Kitani Kreatif Nuur Aqilah Ali – a creative laboratory and think tank dedicated to advancing the Sultanate’s creative economy – lies in recognising the broader value of cultural assets beyond their economic contributions. “To focus solely on the economic value of the cultural and creative industries (CCI) is to devalue their true impact,” she explained, noting that the growth of local CCIs can align with Brunei Vision 2035, the UN Sustainable Development Goals (SDGs), and Maqasid Syariah. In this context, Aqilah urged local producers to acknowledge the social, cultural, spiritual, and environmental contributions of Brunei’s CCIs. CEO and co-founder of Kitani Kreatif Nuur Aqilah Ali explaining the seven crafts under the jurisdiction of the Brunei Art and Heritage Training Centre. PHOTO: KITANI KREATIF The attendees during the event. PHOTO: KITANI KREATIF She made these remarks during Kitani Berkongsi, a creative economy insight series aimed at fostering dialogue among cultural and creative practitioners, exchanging ideas, and building collaborations. The event, held earlier this month, also featured the organisation’s presentation ‘Where Are Brunei’s Cultural and Creative Industries Going?’ – an analysis of Brunei’s CCI, charting the sector’s development so far and exploring its future possibilities. Reflecting on her own experiences, Aqilah noted how her journey towards growing the country’s CCI stemmed from the distance she initially felt from her own culture. “I grew up feeling like I wasn’t ‘Bruneian enough’. I spoke English and was immersed in global media,” she recalled. “I’ve worked on global pieces, but what truly shifted my perspective were eye-opening experiences in localised creative industries.” She mentioned of a local play adapted from Dusun lore – this is an example of ‘cultural regeneration’, breathing new life into heritage while adapting it for modern audiences. “Creativity thrives in such environments, forcing you to think differently and innovate.” With 14 years of experience in the creative industry, spanning both formal and informal roles, Aqilah acknowledged that while Brunei’s CCIs remain underdeveloped, they have evolved over the years as perceptions begin to shift. “One shift I’ve noticed is that creatives are gravitating toward functional creativity, like advertising and architecture, because these fields have clearly defined purposes,” she observed. These forms of CCI, she added are more accepted compared to the creative arts, which are still often overlooked due to the lack of stability in the field, especially in Brunei. “In developed markets, you can charge GBP70 for a theatre show, or GBP15 for a comedy show, for example. But here, the prices are largely the same – BND15 to 50. “It’s incredibly difficult to make money from creativity, and that’s a challenge.” With the creative industry in Brunei still in its early stages, the think tank aims to bring global best practices to the Sultanate while uncovering a global value within local heritage. The focus is on creating works and products that reflect Bruneian heritage, ensuring its cultural significance is showcased on the world stage. “With globalisation on the rise, it’s essential to strike a balance between embracing modern influences and preserving our cultural assets,” Aqilah explained. “Through these efforts, we hope to connect with Bruneians and demonstrate to the world that Brunei’s heritage is truly one of a kind.” Fortunately, Aqilah continued, creatives and consumers in Brunei have a strong interest in cultural and heritage pieces, with the organisation being approached with several projects, most of which are tied to culture and heritage. However, a common challenge is that many do not know where to learn about these aspects or how to respectfully incorporate them into their work. “Our role is to bridge that gap – not just by providing information, but by fostering a sense of shared responsibility,” she said. She then emphasised the distinction between culture with a small ‘c’ and Culture with a capital ‘C’, highlighting how both shape creativity in Brunei, its commercialisation, and the potential future definitions and classifications of CCIs. “These aren’t just my or your stories; they’re our stories, ones we should collectively care for. The real question is: how do we ensure respect for our heritage in creative work? And how do we make information accessible in the first place?” Aqilah remained optimistic about the future of the creative industries in Brunei Darussalam, though she noted that the current market conditions require creatives to focus on the more functional aspects of their talents, securing opportunities both locally and abroad. “The concept of creative industries, and by extension, the creative economy, is gaining significant traction in the region due to regional efforts,” she explained. “In Brunei, however, progress has often been fragmented and inconsistent. What I hope for is a more unified and consistent approach across all levels, one that helps people learn to truly value this sector.” – Wardi WasilFeatured Stories Headlines Local Braden Hamelin | Staff Writer Lower Merion Synagogue was the site of an Israeli-style market featuring nearly 40 traveling vendors from Israel on Dec. 8. Part of a series called Shuk to the Core, this special event has made its way to the Philadelphia area for the first time. Shuk to the Core was first held in 2014, and was resumed by its co-founders, Stuart Katz and Daniel Rothner and their organization Areyvut, after Oct. 7. This latest iteration is the third Shuk to the Core since the attacks and consists of a three-week trip with 15 events around the U.S. for Israeli vendors. Along with Philadelphia, stops included Baltimore and Potomac, Maryland. The event is intended to serve as a boost for Israelis who are struggling both in business and emotionally after the attacks and devastating war that has followed. “Everyone in Israel is being affected since Oct. 7, meaning tons of people are serving in the army. People are injured. Everyone in Israel knows someone that knows a hostage, or is a hostage, or was a hostage family or someone who was killed or injured on the front lines,” Rothner said. “And this is one effort amongst many other efforts, globally, nationally, to really help the Israeli economy in a meaningful, powerful way.” Rothner said that the previous Shuk to the Core programs that took place in New York and New Jersey in November 2023 and March generated over $1 million of income collectively for the vendors. He added that it gave American Jews the opportunity to show their support and love for their brethren in Israel during a time of need. Rothner said that this event features a blend of new vendors and ones who have participated in the past, as Katz is based in Israel and has a wide network of connections that allow them to find Israelis who fit their criteria for participation. “Our criteria are people coming from Israel. It’s not [people who say] ‘I have an Israeli business, or I have an Israeli product, and I’m from the States.’ ... The idea is that people are coming the whole time. It’s not, ‘I want to participate in one specific venue.’ The idea is that people are coming from December 4 to 22 and participating in all 15 shows,” Rothner said. He added that the long time spent traveling creates lasting relationships for the vendors, organizers and hosts that makes a strong network for years down the line. “All these people have had a very rough 417 days, to say the least. They all know someone who has been injured or killed or so on and so forth. And this is a way to kind of band together and to come together as a community,” Rothner said. Katz spoke highly of the Jewish communal organization at the Shuk to the Core event and said that when everyone comes together it doesn’t matter what specific denomination people are or any other small differences; they’re all Jews supporting Israelis in need. “I love when I see a flyer and [it lists] all these organizations that participated, because to me, it means that it came together as a community, which is what we really try to promote,” Katz said. The event at Lower Merion Synagogue had people from all corners of the Philadelphia Jewish community in attendance and a steady flow of people excited to come out and show their support and maybe purchase some unique goods, according to Amanda Israel, the president of the sisterhood at LMS who helped organize the event. Israel added that having the opportunity to connect with the artists on a more personal level after meeting them and purchase Israeli goods directly from the source was a great motivator for people. “When you get such a positive, warm welcome at a table from a vendor, it’s real. It makes you want to stay in touch with the person that you bought a piece of ceramic from. It makes you want to connect with them on social media and visit their store when you’re in Israel,” Israel said. She added that it was important for members of the community to have an avenue to support people from Israel whether that meant providing hospitality to vendors or supporting their business. “Even on the most surface level, we know what they’ve gone through. The whole Jewish world feels connected and I feel like we’re one with these people that we’ve never even met before. You want to hug them. It’s a very magical feeling to connect with people that way,” Israel said. [email protected] TAGS Areyvut Israel Shuk to the Core
Mike Ransford Joins Syntec Optics (Nasdaq: OPTX) as Site Manager
The developer of recently-announced virtual pet simulator game Catly has responded to allegations that the game's trailer and marketing was produced using generative AI, saying that no such technology was used in its announcement at The Game Awards, nor in the game itself. In a statement shared with IGN, a PR representative authorized to speak on behalf of developer SuperAuthenti said that generative AI was not used to produce the trailer, nor the game. Furthermore, the representative said the developer was "very surprised by such speculations," adding that "We do not think there are any existing AI tools that can produce a video like that. Industry experts have echoed this opinion." The PR representative also showed IGN a version of the trailer from The Game Awards that showed in-progress shots interspersed alongside the final version, which did seem to confirm that the trailer itself was not AI-generated. The spokesperson confirmed to IGN that Catly is being made in Unreal Engine 5, and said the developer uses "various software" to produce hyperrealistic fur and hair. Assertions that Catly was using generative AI technology began to circulate almost immediately after its trailer debuted at The Game Awards last week. The trailer itself featured hyperrealistic cats with brightly colored fur and features bounding around a fantasy playspace and interacting with a human wearing various detailed, high fashion outfits. The art style present was flagged by many critics as reminiscent of the hyperrealistic style often produced by generative AI. That said, Catly's statement is consistent with the current reality that game trailers of this quality are not within the reach of current generative AI technology without significant, obvious artifacting and other issues. However, others pointed out that while the trailer may be legit, the other aspects of Catly's promotion are still giving some off vibes. For instance, the game's Steam description awkwardly reads, "A Cat Open World, with Beautiful Cats. Hyperrealism, Actions, Cuddle, Speed, Islands, Fashion, Dreams, Snow, Robots, Plants -- all with and via Cats." And a few of the game's promotional art pieces had odd details similar to AI artifacting, such as the odd paws and nose of this cat: And the text on the wall inside the right-hand side of the building in this image: Others unearthed more images from the official Catly website that have since been removed, but which appear to raise even more questions about their veracity. Update 5:57pm: A previous version of this story claimed the website had been down all weekend, but the URL for the official website provided to IGN was incorrect, and the website has remained live. Original story continues below: While SuperAuthenti told me that it did not use generative AI in either the trailer or the game itself, it did not respond to my question about its promotional images on Steam or on its website. As for web3, speculation of the game's ties to the technology surfaced as individuals unearthed the studio co-founder, Kevin Yeung's, ties to other blockchain games . Additionally, the game's Steam page features a glowing quote from League of Legends and Arcane producer Thomas Vu, who himself is a prominent web3 investor. However, it also contained a quote from Hearthstone and Marvel Snap creator Ben Brode, who has taken to Bluesky to say that he's heard nothing about either AI generation or web3 involved in Catly, and that his interest is sincere. "I saw 20 [minutes] or so of gameplay footage a few months back and thought it looked cool so they asked me for a quote," he wrote . For now, it does seem that SuperAuthenti is telling the truth about the Catly trailer at The Game Awards, though the question of whether or not, or how much, generative AI has been used in Catly's overall development and promotion remains to be seen. Generative AI is becoming an increasingly popular tool for game companies, too. Call of Duty reportedly sold an "AI-generated cosmetic" for Call of Duty: Modern Warfare 3 in late 2023, and fans accused Activision of using generative AI again for a loading screen this year . EA said in September that AI was "the very core" of its business . Unfortunately, as the technology becomes both more prevalent and more complex, it seems likely it will become increasingly difficult to tell the difference between AI-generated and human-crafted work. In Catly's case, we'll have to wait for 2025 to find out more about what exactly is behind those hauntingly rainbow cat eyes from the trailer. Rebekah Valentine is a senior reporter for IGN. You can find her posting on BlueSky @duckvalentine.bsky.social. Got a story tip? Send it to rvalentine@ign.com. This article was amended post-publication to more accurately reflect the footage seen by IGN.
Marcus Tomashek scores 30 and Division II Michigan Tech hands Green Bay its 8th straight lossBy Funto Omojola, NerdWallet Mobile wallets that allow you to pay using your phone have been around for well more than a decade, and over those years they’ve grown in popularity, becoming a key part of consumers’ credit card usage. According to a “state of credit card report” for 2025 from credit bureau Experian, 53% of Americans in a survey say they use digital wallets more frequently than traditional payment methods. To further incentivize mobile wallet usage, some credit card issuers offer bonus rewards when you elect to pay that way. But those incentives can go beyond just higher reward rates. In fact, mobile wallets in some ways are becoming an essential part of activating and holding a credit card. For example, they can offer immediate access to your credit line, and they can be easier and safer than paying with a physical card. From a rewards perspective, it can make a lot of sense to reach for your phone now instead of your physical card. The Apple Card offers its highest reward rates when you use it through the Apple Pay mobile wallet. Same goes for the PayPal Cashback Mastercard® when you use it to make purchases via the PayPal digital wallet. The Kroger grocery store giant has a co-branded credit card that earns the most when you pay using an eligible digital wallet, and some major credit cards with quarterly rotating bonus categories have a history of incentivizing digital wallet use. But again, these days it’s not just about the rewards. Mobile wallets like Apple Pay, Samsung Pay and PayPal can offer immediate access to your credit line while you wait for your physical card to arrive after approval. Indeed, most major issuers including Bank of America®, Capital One and Chase now offer instant virtual credit card numbers for eligible cards that can be used upon approval by adding them to a digital wallet. Additionally, many co-branded credit cards — those offered in partnership with another brand — commonly offer instant card access and can be used immediately on in-brand purchases. Credit cards typically take seven to 10 days to arrive after approval, so instant access to your credit line can be particularly useful if you need to make an urgent or unexpected purchase. Plus, they allow you to start spending toward a card’s sign-up bonus right away. As issuers push toward mobile payments, a growing number of merchants and businesses are similarly adopting the payment method. The percentage of U.S. businesses that used digital wallets increased to 62% in 2023, compared to 47% the previous year, according to a 2023 survey commissioned by the Federal Reserve Financial Services. Wider acceptance is potentially good news for the average American, who according to Experian has about four credit cards. While that won’t necessarily weigh down your wallet, it can be hard to manage multiple cards and rewards categories at once. Mobile wallets offer a more efficient way to store and organize all of your workhorse cards, while not having to carry around ones that you don’t use often. They can also help you more easily monitor your spending and rewards, and some even track your orders’ status and arrival time. Plus, paying with a digital wallet offers added security. That’s because it uses technology called tokenization when you pay, which masks your real credit card number and instead sends an encrypted “token” that’s unique to each payment. This is unlike swiping or dipping a physical card, during which your credit card number is more directly accessible. And again, because a mobile wallet doesn’t require you to have your physical cards present, there’s less chance of one falling out of your pocket or purse. More From NerdWallet Funto Omojola writes for NerdWallet. Email: fomojola@nerdwallet.com. The article Activating Your Credit Card? Don’t Skip the Mobile Wallet Step originally appeared on NerdWallet .
Former NCAA swimmer Riley Gaines details her plan to testify at the Georgia Capitol with other NCAA athletes and reacts to comments made by transgender golfer Hailey Davidson. Multiple women's golfers came forward to praise and celebrate the LPGA's rule change on Wednesday that bars post-pubescent males from competing against females in pro competition. The organization said in a news release that male players who have gone through male puberty are barred from competing in the LPGA Tour, Epson Tour , Ladies European Tour and all other elite LPGA competitions. The new rule will go into effect for the 2025 season. "Players assigned male at birth and who have gone through male puberty are not eligible to compete in the aforementioned events," the organization said. "The policies governing the LPGA’s recreational programs and non-elite events utilize different criteria to provide opportunities for participation in the broader LPGA community." CLICK HERE FOR MORE SPORTS COVERAGE ON FOXNEWS.COM Charley Hull, of England, watches her tee shot on the first hole during the final round of the LPGA Annika golf tournament at Pelican Golf Club, Sunday, Nov. 17, 2024, in Belleair, Fla. (AP Photo/Steve Nesius) The International Women's Forum (IWF) released a press release in which several women golfers spoke in favor of the ruling later on Wednesday. These golfers include Lauren Miller, Hannah Arnold, Dana Fall, and Amy Olson. Miller said that she and female colleagues in pro golf have said "no more" to the issues of competing against biological males with the statement. "This announcement from the LPGA and USGA gives me hope for the future of women’s golf," Miller said. "The movement of female professional golfers was essential and has been heard — we’ve stood up and said, ‘No more’. By acknowledging the distinctions between men and women, golf leadership is uniting with us in their desire to champion women and girls by restoring a space that prioritizes fair competition. Today, women have won." Olson, meanwhile, insisted that the biological differences between men and women should be acknowledged in sports. "This is a positive step forward, recognizing that an individual’s chromosomes affect their physical development in ways that are irreversible," Olson said. SJSU TRANSGENDER VOLLEYBALL SCANDAL: TIMELINE OF ALLEGATIONS, POLITICAL IMPACT AND A RAGING CULTURE MOVEMENT Amy Olson of the United States hits a tee shot on the 16th hole during the first round of the Meijer LPGA Classic for Simply Give at Blythefield Country Club on June 15, 2023 in Grand Rapids, Michigan. (Raj Mehta/Getty Images) Fall said that Wednesday's announcement indicates that "women do matter" in sports. "Today’s policy announcement is a huge win for women and girls in sports. The LPGA and USGA, the premiere bodies which dictate the rules of women’s golf, are standing up for fairness and the integrity of our sport. Today, the message sent to women is that we do matter, and they are working to return equal opportunity and protect fair sport for female athletes," Fall said. Still, the announcement was not meant with unanimous praise. Liberals and trans rights activists have criticized the new rule. Transgender golfer Hailey Davidson spoke out against the new rule, as it will likely prevent Davidson from competing in the LPGA moving forward. "Can’t say I didn’t see this coming. Banned from the Epson and LPGA," Davidson wrote in an Instagram Stories post. "All the silence and people wanting to stay ‘neutral’ thanks for absolutely nothing. This happened because of all your silence. "And somehow people are surprised the suicide rate for transgender people is around 50%. Situations just like this are part of the reason." CLICK HERE TO GET THE FOX NEWS APP Transgender golfer Hailey Davidson looks after shot at pre-qualifying stage of LPGA Q-Series. (Riley Gaines/X) A female golfer who competed against Davidson, Olivia Schmidt, made a plea to the LPGA to ban trans athletes like Davidson during an appearance at the Independent Women's Forum in November. "The bottom line is we can fight this all we want, but the true change comes from the LPGA. They are the only ones with the power to stop it. It’s up to them to protect us," she said. "I want my kids one day to chase their dreams and not have these distractions in their way. I’m just praying that [the policy] gets changed, and I’m praying that we can find a way to kind of find some common ground in that and hopefully for the next generation of golfers." Now, the LPGA has fulfilled that wish for all of its female competitors and fans. Follow Fox News Digital’s sports coverage on X , and subscribe to the Fox News Sports Huddle newsletter . Jackson Thompson is a sports writer for Fox News Digital. He previously worked for ESPN and Business Insider. Jackson has covered the Super Bowl and NBA Finals, and has interviewed iconic figures Usain Bolt, Rob Gronkowski, Jerry Rice, Troy Aikman, Mike Trout, David Ortiz and Roger Clemens.SHANGHAI and HONG KONG, Dec. 16, 2024 (GLOBE NEWSWIRE) -- NETCLASS TECHNOLOGY INC. (the “Company” or “NETCLASS”), a leading B2B smart education IT solutions provider with offices in Shanghai, Hong Kong, and Singapore, today announced the closing of its initial public offering (the “Offering”) of 1,800,000 Class A ordinary shares at a public offering price of $5.00 per ordinary share, for total gross proceeds of $9,000,000, before deducting underwriting discounts, commissions, and other related expenses. The Company has granted the underwriters an option, exercisable within 45 days from the closing date of the Offering, to purchase up to an additional 270,000 Class A ordinary shares at the initial public offering price, less underwriting discounts to cover over-allotments, if any. Shares of the Company’s stock began trading on the Nasdaq Capital Market under the symbol “NTCL” on December 13, 2024. The Offering was conducted on a firm commitment basis. The Company intends to use the proceeds from the Offering for the courseware and online technology platform development, expansion of application development service and subscription services, marketing and brand building, along with working capital and general corporate purposes. Newbridge Securities Corporation and Revere Securities, LLC (the “Underwriters”) acted as Underwriters to the Offering. Ortoli Rosenstadt LLP acted as U.S. counsel to the Company, and Sichenzia Ross Ference Carmel LLP acted as U.S. counsel to Newbridge Securities Corporation, who acted as the representative of the Underwriters in connection with the Offering. A registration statement on Form F-1 (File No. 333-278224) was filed with the Securities and Exchange Commission (“SEC”) and was declared effective by the SEC on December 12, 2024. A final prospectus relating to the offering was filed with the SEC is available on the SEC’s website at www.sec.gov. Electronic copies of the final prospectus relating to this offering may be obtained from Newbridge Securities Corporation, Attention: Equity Syndicate Department, 1200 North Federal Highway, Suite 400, Boca Raton, FL 33432, by email at syndicate@newbridgesecurities.com or by telephone at (877) 447-9625. Before you invest, you should read the prospectus and other documents the Company has filed or will file with the SEC for more information about the Company and the Offering. This press release shall not constitute an offer to sell or the solicitation of an offer to buy these securities, nor shall there be any sale of these securities in any state or jurisdiction in which such offer, solicitation, or sale would be unlawful prior to registration or qualification under the securities laws of any such state or jurisdiction. About NETCLASS TECHNOLOGY INC. NETCLASS TECHNOLOGY INC. is a leading B2B smart education specialist with offices in Shanghai, Hong Kong, and Singapore, providing innovative IT solutions to schools, training institutions, corporations, public agencies, and other organizations. Our services include SaaS subscription services and application software development, with solutions spanning teaching and campus management, online teaching, examinations, epidemic prevention, data storage, EDC (Education Credit) blockchain systems, and lecturer evaluation services. Our mission is to deliver reliable, high-quality products that drive sustainable growth for our customers. For more information, please visit the Company’s website: https://ir.netclasstech.com Forward-Looking Statements Certain statements in this announcement are forward-looking statements, including, but not limited to, the Company's proposed Offering. These forward-looking statements involve known and unknown risks and uncertainties and are based on the Company’s current expectations and projections about future events that the Company believes may affect its financial condition, results of operations, business strategy and financial needs, including the expectation that the Offering will be successfully completed. Investors can identify these forward-looking statements by words or phrases such as “approximates,” “believes,” “hopes,” “expects,” “anticipates,” “estimates,” “projects,” “intends,” “plans,” “will,” “would,” “should,” “could,” “may” or other similar expressions. The Company undertakes no obligation to update or revise publicly any forward-looking statements to reflect subsequent occurring events or circumstances, or changes in its expectations, except as may be required by law. Although the Company believes that the expectations expressed in these forward-looking statements are reasonable, it cannot assure you that such expectations will turn out to be correct, and the Company cautions investors that actual results may differ materially from the anticipated results and encourages investors to review other factors that may affect its future results in the Company's registration statement and other filings with the U.S. Securities and Exchange Commission. For investor and media inquiries, please contact: NETCLASS TECHNOLOGY INC. Investor Relations Email: ir@netclasstech.com Jackson Lin Lambert by LLYC Phone: +1 (646) 717-4593 Email: jian.lin@llyc.global
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